Stage
I
We started our exploration by pairing this striking Art Deco
image of the Greek goddess Diana with a complementary typeface:
Emigré's Mason
Sans. While the Gothic forms of the typeface wouldn't seem
to match the Deco look, the combination of structure, regular
line weight, and decorative flourishes echo the grace and graphic
nature of the artwork. The problem? The quote's too darn long! |
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Stage II
We split up the quote into sections, emphasizing key words
and phrases. We also substituted alternate characters for
some of the more decorative letterforms (a K with no tail,
an H with no double-crossbar) in order to increase legibility.
The two sentences of the quote seem to be almost two different
voices; the second sentence is more intense than the first.
Our visual differentiation isn't quite working yet.
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